¡He matado a mi marido!
https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Assumpta_Serna%2C_Francisco_Lupini_Basagoiti_and_Bernard_Bullen_on_set_of_%C2%A1He_matado_a_mi_marido%21.jpg/290px-Assumpta_Serna%2C_Francisco_Lupini_Basagoiti_and_Bernard_Bullen_on_set_of_%C2%A1He_matado_a_mi_marido%21.jpg
Directed by Francisco Lupini
Produced by Jo Henriquez
Daniela Ruiz
Written by Francisco Lupini
Starring Maria Conchita Alonso
Assumpta Serna
Eduardo Yañez
Guy Ecker
Alicia Machado
Gaby Espino
Cinematography Jon Aguirresarobe
Edited by Salvador García
Country United States, Spain
Language Spanish

¡He matado a mi marido! (I have killed my husband!) is a Spanish comedy film written and directed by Francisco Lupini. Headed by actress Maria Conchita Alonso and Assumpta Serna, the film features an ensemble cast also starring Eduardo Yañez, Guy Ecker, Alicia Machado, Gaby Espino, and Luis Ernesto Franco.

Revolving around a woman who accidentally kills her husband and tries to get away with the murder. It addresses themes like female loneliness, death, marriage and family dynamics mixing the genres of farce and melodrama.

It was nominated as best picture at the Imagen Awards in 2019.

Plot

In an attempt to save her crumbling marriage, Remedios (Maria Conchita Alonso) has organized a grand party in her home to celebrate her husband's (Guy Ecker) recent Pritzker Prize win.

However, things take a turn for the worst when, on the morning of the party, she discovers her husband in their marital bed with another woman. Blinded by hysteria, despair, pain and the thirst for explanations, Remedios tries to scare her husband with a gun that, by whims of destiny, ends up killing him.

With guests arriving in a few hours, and her oblivious son and daughter already on the way, Remedios must convince Berta (Assumpta Serna), the maid of the house, to help her hide the body and host the greatest party of the century, without anyone noticing that the man of the hour is missing.

With guests growing anxious, more mistresses coming out of the woodwork, and their daughter desperately seeking her father, things become increasingly complicated for Remedios to keep her secret, survive the pain of heartbreak and keep the truth from threatening the family nucleus. In the end, Remedios will have to face the truth to save what's left of her hysterically dysfunctional family.


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